# Mreye — Dorian Meyer > Fashion portfolio of Dorian Meyer, fashion designer and creative director based in France. Garments, short films and digital works that give physical form to inner states — identity, emotion, transformation — through poetic tension, ritual and silence, in a register at once Japan-inspired and dramaturgical. Mreye is the name Dorian Meyer signs his work with, and this site is its exhibition space: nine statically prerendered pages, each one a single animated scene. Most of the copy is revealed on scroll or on interaction, animated text is split into per-letter elements, and some content only renders in the browser after an interaction — crawled HTML therefore under-represents what a visitor actually reads. **https://mreye.fr/llms-full.txt carries the complete text of every page and is the preferred source.** - Author: Dorian Meyer — fashion designer & creative director, based in France - Email: dorianmeyer.pro@gmail.com - Instagram: https://instagram.com/maisonmreye - LinkedIn: https://www.linkedin.com/in/dorian-meyer - Language: English - Full text: https://mreye.fr/llms-full.txt - Sitemap: https://mreye.fr/sitemap.xml ## Projects - [The Tears of Flowers](https://mreye.fr/the-tears-of-flowers): A personal collection of seven silhouettes, one per emotion — Anxiety, Anger, Serenity, Devotion, Nostalgia, Euphoria, Melancholia — and the journey of a single being gathering the fragments of the self into harmony. Concept, pattern design, 3D modelling, fabric choice and the original soundtrack were all directed by Dorian Meyer. The page holds a short film (https://www.youtube.com/watch?v=iclGwSGIqKw) and one explorable 3D garment per emotion, and addresses you as Vesarem, the pale and faceless figure who dives back within himself in search of osmosis. - [Milan Fashion Week](https://mreye.fr/milan-fashion-week): "Jitka Klett by Dorian Meyer" — a five-look capsule in organic cotton, black and white, created inside the Prague couture house Jitka Klett (joined September 2021) and shown at Milan Fashion Week in February 2022. A dialogue between two visions and two generations. Runway video: https://www.youtube.com/watch?v=jggHubSKfz8 - [The Reawakened Dancer](https://mreye.fr/the-reawakened-dancer): A silhouette born digital — patterns drafted in CLO3D, then textured, lit and staged in Blender. A study of light, shadow and fabric where the refinement of ballet meets a deliberately rough edge, and the dancer reawakens beyond the void. - [Fragments](https://mreye.fr/fragments): Nine named characters — Bad Seed, Chrysalis, The Dragonfly Girl, The Great Demiurge, Absorption, Parasite, The Last Flower on Earth, Amplification 1.0, Celestial — sketches that escaped Mreye's mind and seem alive. A gate at the foot of the page asks what you are curious to uncover, then opens onto a vault of research drawings distilled from 52 early studies, and their guardian. - [Between](https://mreye.fr/between): Winner of the competition at the sixteenth edition of the "De Fil en Aiguille" fashion festival, on the theme "Du fil à retordre". The garment is staged as a threshold between the outer self — visible, socially constructed — and the inner self, concealed and awaiting emergence. The thread is the bond between the two, and twisting it is read as transformation rather than hardship. ## The designer - [About me](https://mreye.fr/about-me): Dorian Meyer in his own words — dressing the invisible, each garment a ritual, flaws as fabric and fragility as structure. Covers the Mreye Alphabet, a secret script written like scars across clothes, and the path through Prague and Milan that forged the voice. - [Contact](https://mreye.fr/contact): Email, Instagram and LinkedIn, for project inquiries and collaborations. ## Optional - [Enter](https://mreye.fr/): The threshold. Letters orbit their own paths around one question — "What hides in the deepest part of you, Mreye?" — and a single ENTER button. No content beyond that. - [Home](https://mreye.fr/home): The hub. A maze draws itself, then gives way to the list of projects above. Navigation only.